As mentioned above, athough I first took these panoramic pictures and drew the perspective outlines while looking at the gridded patterns from the exiting natural elements (trees)  I again decided to convert not only these outlines but also the posts in place of the existing elements to 3d as to look have them isolated and distinguished.

The scene is visualized with the illustrated perspective outlines as an architectural element. This architectural element emerged by first visualizing those outlines as 3d and then converting them to 3d by extruding the perspective outlines that formed a variety of gridded patterns. The idea is to observe and perceive what would be present architecturally, by means of forming  an internal or enclosed space that could be used to interfere with an occupants or users experience.

Following is a selection of 3 panoramas of the regions between the park’s paths, highlighting the perspective generated from a standpoint.

The trees as elements are transformed and represented as posts. Then through the ‘posts’ appear the perspective illustrations. Colours represent the perspective view that is nearer , in turn clearer, with red colour being the most explicable and understandable.

Distorted Motion, using Flash

From various sources, persisting with investigation on Perspective Vision and Paralax motion i have found that  in Peripheral vision,  on the outer extremes of the visual field, parallel lines become curved, as in a photo taken through a fish-eye lens. This effect, although it’s usually eliminated from both art and photos by the cropping or framing of a picture, greatly enhances the viewer’s sense of being positioned within a real, three dimensional space.

Classical perspective has no use for this so-called “distortion“, although in fact the “distortions” strictly obey optical laws and provide perfectly valid visual information, just as classical perspective does for the part of the field of vision that falls within its frame.

INTERACTIVE CHESS BOARD : 2nd Portal to the other scenes of the animation.

The proposal is an interactive chess board. I came across this idea when watching tv..saw these people playng outdoors chess…i found that it exactly represents movement. And the movement is not random. The user(s) moves the objects to a specific position within that boundary of space. The space is a grid by its self. Also the chess board is a link to other scenes of the animation. When the user plays at a position, that position is highlighted and when clicking on it , it will then lead to a scene. There will be  a contact sensor attached bellow chessboard surface which will be activated once the user steps on that area

The user(s) moves on the chessboard,existing are the images of the scenes  projected on the surrounding
campus buildings. when playing on the ‘‘scene portal position’’, the position highlights and a vector appears
indicating where (in which scene of other movement) it will lead. that reacting position is  becoming a sensor. At the same time the chessboard becomes the main portal of movement navigation, and exploration of the local weather understanding and conditions. The higlights oocured due contact sensor attached bellow the chessboard surface which will be activated once the use steps on that boundary.in turn the sensors activate leisers
(indicative vector lines)